Then she grew inflexible. No, the thing was out of the question! The count, deeply moved and with a look of suffering, had risen and was going in quest of his hat. But in the doorway he remembered the set of sapphires; he could feel the case in his pocket. He had been wanting to hide it at the bottom of the bed so that when she entered it before him she should feel it against her legs. Since dinnertime he had been meditating this little surprise like a schoolboy, and now, in trouble and anguish of heart at being thus dismissed, he gave her the case without further ceremony.

"What is it?" she queried. "Sapphires? Dear me! Oh yes, it's that set. How sweet you are! But I say, my darling, d'you believe it's the same one? In the shopwindow it made a much greater show."

That was all the thanks he got, and she let him go away. He noticed Satin stretched out silent and expectant, and with that he gazed at both women and without further insistence submitted to his fate and went downstairs. The hall door had not yet closed when Satin caught Nana round the waist and danced and sang. Then she ran to the window.

"Oh, just look at the figure he cuts down in the street!" The two women leaned upon the wrought-iron window rail in the shadow of the curtains. One o'clock struck. The Avenue de Villiers was deserted, and its double file of gas lamps stretched away into the darkness of the damp great gusts of wind kept sweeping, laden with rain. There were vague stretches of land on either side of the road which looked like gulfs of shadow, while scaffoldings round mansions in process of construction loomed upward under the dark sky. They laughed uncontrollably as they watched Muffat's rounded back and glistening shadow disappearing along the wet sidewalk into the glacial, desolate plains of new Paris. But Nana silenced Satin.

"Take care; there are the police!"

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